Friday, 5 April 2013


TV Everywhere has announced that its VidZapper enterprise video platform now features a drag and drop video player builder enabling users to build sophisticated video players with no coding skills in just minutes.

The system generates HTML5 and Flash and dynamic video players and support features that include:

·         ·         Scalable and configurable player layout with brand, image or colour backgrounds
·         ·         Components including social sharing, video titles, playlists and schedules
·        ·         Powerful video search function
·        ·         Customisable controls
·         ·         Hotspots and hotlinks
·         ·         Scriptable components
·         ·         Cut and paste integration with Twitter, Facebook, Disqus, Polldaddy, Ebay, Amazon and thousands of other online apps
·         ·         Customisable HTML5 and JavaScript containers

The generated players work across all common platforms including PC, Mac, iOS and Android and on most web browsers, including IE7 which is still common in many workplaces.

Examples of videos created using VZ Player Builder can be found here.

“The management of online video has come a long way in a few years,” comment TV Everywhere CEO Iolo Jones. “But most of the systems are still very complex to use and do not offer a great deal of flexibility. YouTube, for example, is great if you want their branding all over your website.

“What we’re done is launch a complex application that is very easy to use and should appeal to developers and non-developers alike. We believe that it will be particularly useful for companies who do not want to want to have YouTube or third party branding on their websites or mobile apps.”

The Player Builder requires a VidZapper account that can be requested from

The Player Builder user interface - image may be copied and reproduced

 The resulting player - image may be copied and reproduced

Friday, 1 March 2013


The Abu Dhabi triathlon, featuring TEAM GB's gold medal winning Olympic triathlete and back-to-back European Triathlon Union champion, Alistair Brownlee will be streamed live by TV Everywhere partners 1080Media on 2nd March 2013.

Utilising TVE company VidStorer's transcoding system and global network, the event will be made available on mobile, tablet and desktop devices as well as any browser enabled TV.

The system provides both XML and M3U8 manifest files via the VidZapper video management platform, so adaptable bitrate feeds are available in real time to all viewers.

Friday, 1 February 2013


TV Everywhere has announced a tie up with nearline storage experts Object Matrix to deliver scalable ‘local cloud’ media management solutions.

 The partnership sees TV Everywhere’s Mstorer media asset management system integrated with Object Matrix’ MatrixStore media storage system to enable a ‘local cloud’ solution for customers who wish to keep some or all of their assets in-house on the corporate network.

 “We’re clearly moving to a world where keeping assets in the cloud is becoming more and more acceptable,” comments TV Everywhere CEO, Iolo Jones. “But for very large files being used in the asset production process, it still makes much more sense to keep these local until the production is complete. This is where Object Matrix comes in. They have proven, highly scalable storage solutions that can cope with the massive growth brought about by ‘Big Data’.”

 TVE Everywhere’s Mstorer is a cloud based social media management system used by client such as government departments, law firms and production companies. It was used by the Mayor of London’s office to manage all the video and images for the cultural events surrounding London 2012.

 Nick Pearce, co-founder of Object Matrix said, “We have been looking for the opportunity to work with Iolo and the team for quite some time and the integration with the TV Everywhere Mstorer platform enables us to do just that.  There is strong demand for cloud based asset management solutions that can provide a mix of both cloud based and locally available content. Mstorer is designed to provide that flexibility.”

MatrixStore is a highly secure disk-based nearline storage platform designed to protect digital assets in an automated, repeatable and regulated manner. It is a safe place to protect assets currently being worked on and a secure storage platform for all assets that need to be re-used, re-purposed, distributed or monetized.

About TV Everywhere
TV Everywhere is a company focused on inventing the future of television.The company establishes, invests in and develops companies which will support the next generation of media and television technology companies and deliver world leading technologies to clients ranging from small producers through broadcasters to some of the world’s largest corporation. Their Mstorer platform is a simple to use, elegant and powerful media asset management system that can handle images and documents as well as video assets. It comes with integrated, configurable encoders for images and videos and provides options for local cloud storage using Matrix Store, hybrid cloud and full cloud storage options. The platform was used for handling tens of thousands of assets for London 2012 and provides for simple distribution to platforms such as mobile, Smart TV, Facebook, YouTube and iTunes. It is integrated with OVP VidZapper and rights management platform, Rights Tracker.

About Object Matrix
Established in 2003, Object Matrix is a software company based in Caerphilly (Wales, UK). Its acclaimed product MatrixStore has been used in production since 2006 by broadcast, graphics, post-production, studios and creative agency customers. Object Matrix is comprised of a team of storage industry experts with a shared vision for high levels of data security combined with intuitive user interfaces. In addition to providing solutions and product integrations for the storage, search and retrieval of media assets, Object Matrix also provides consultancy, training, systems integration, and ongoing support services.

Monday, 5 November 2012


Multi-media coverage for London 2012's 'A Summer Like No Other' celebrations used TV Everywhere's Mstorer digital asset management system and VidStorer content delivery network.
Working with TVE partner 1080 Media,  TV Everywhere created a customised social digital asset management system used by Pete Webb Photography (PWP)'s  team of specialist photographers and 1080 Media’s TV crews, These were deployed throughout the capital for 63 continuous days, working in shifts to manage the demands of the project. The photos and videos were edited on site at events then uploaded to Mstorer’ so that staff at the Greater London Authority could swiftly access and distribute the resources and distribute them to the global media. A total of over 22,000 images and 200 edited videos were delivered via the system.
TVE CEO Iolo Jones commented ‘’as well as making it easy to upload, version, control and distribute videos and images around the world, adopting our Mstorer system meant that a record of these unique events is now preserved in a library for posterity and are instantly accessible online. We continued to evolve the system to meet demands as the project moved along, which has helped develop this into what we believe is a world beating system that could be utilised by any company or authority requiring a secure but flexible archive.”
Di Henry, the Programme Director of Look & Celebrations for GLA said, ‘’we chose 1080 Media because we were impressed by their approach to all  of the criteria in the tender, and were attracted to a strong technical and creative proposal which delivered some outstanding coverage and really helped capture the Mayor’s ‘Summer Like No Other’’.
For examples and information visit

Friday, 1 June 2012


The most common statement we hear at TVE is 'we're going to use YouTube. It's free and it's got a massive audience.'

Well, good luck with that.

Here are a few of the reasons why using Google as your video provider is a bad idea, and this doesn't even cover the reasons commercial content owners shouldn't use YouTube for anything more than promotion.

1) It's buggy:

And many of the main issues are adequately outlined in YouTube's own terms and conditions:

2) You can’t commercialise it:

  • you agree not to use the Service (including the YouTube Player) for any of the following commercial uses unless you obtain YouTube's prior written approval:
  • the sale of access to the Service
  • the sale of advertising, sponsorships or promotions placed on or within the Service, or Content;
  • the sale of advertising, sponsorships or promotions on any page of an ad-enabled blog or website containing Content delivered via the Service unless other material not obtained from YouTube appears on the same page and is of sufficient value to be the basis for such sales
  • prohibited commercial uses shall not include (i) uploading an original video to YouTube, (ii) maintaining an original channel on the Website in order to promote a business or artistic enterprise, (iii) showing YouTube videos through the YouTube Player or otherwise on an ad-enabled blog or website, subject to those advertising restrictions set out in 5.1(E)(iii) above; and (iv) any use that is expressly authorised by YouTube in writing

3) You can’t really customise it:

if you use the YouTube Player on your website may not modify, build upon or block any portion or functionality of the YouTube Player including but not limited to links back to the Website;

4) You have no access to your viewer information

you agree not to collect or harvest any personal data of any user of the Website or any Service (and agree that this shall be deemed to include YouTube account names);

5) You can’t use it to promote your company

you agree not to use the Website or the Services (including the comments and email features in the Website) for the solicitation of business in the course of trade or in connection with a commercial enterprise;

6) They can change things without telling you:

YouTube is constantly innovating in order to provide the best possible experience for its users. You acknowledge and agree that the form and nature of the Service which YouTube provides may change from time to time without prior notice to you.

7) They can just stop the service at any time:

As part of this continuing innovation, you acknowledge and agree that YouTube may stop (permanently or temporarily) providing the Service (or any features within the Service) to you or to users generally at YouTube's sole discretion, without prior notice to you

8) And you lose control of your rights:

When you upload or post Content to YouTube, you grant:

  • to YouTube, a worldwide, non-exclusive, royalty-free, transferable licence (with right to sub-licence) to use, reproduce, distribute, prepare derivative works of, display, and perform that Content in connection with the provision of the Service and otherwise in connection with the provision of the Service and YouTube's business, including without limitation for promoting and redistributing part or all of the Service (and derivative works thereof) in any media formats and through any media channels;
  • to each user of the Service, a worldwide, non-exclusive, royalty-free licence to access your Content through the Service, and to use, reproduce, distribute, prepare derivative works of, display and perform such Content to the extent permitted by the functionality of the Service and under these Terms.

9) No SLA

In particular YouTube does not represent or warrant to you that:

  • your use of the Service will meet your requirements,
  • your use of the Service will be uninterrupted, timely, secure or free from error,
  • any information obtained by you as a result of your use of the Service will be accurate or reliable, and
  • that defects in the operation or functionality of any software provided to you as part of the Service will be corrected.

Then there are a whole ream of reasons beyond this:

10 ) Commercial - if you're trying to make money from your content, then you don't have a chance: unless you're a huge player, there are no options for charging viewers and even getting income from advertising is tough (Google does make paltry payments to its most popular video contributors, but don't give up the day job).

11) Legal - you own your content, but Google owns the right to exploit it. Also, the YouTube service itself is of dubious legality and persistently contravenes copyright and trademark law using 'safe harbour' and 'cease and desist' as the only mitigation - compare this with the responsibilities of a proper broadcaster, either online of offline. By using YouTube you may be making yourself and your company culpable. Is it worth it ?

12) Clutter - skateboarding dogs and cats being tortured: do you really want to keep company with this stuff ? They say that you're judged by the company that you keep. Try doing a search for your brand on YouTube and see what happens.

13) That Logo - yes, YouTube's paw print all over your lovely content . It says just one thing: "cheapskate".

14) Search - this may be the cornerstone of the Google empire, but try to generate anything predictable from search on YouTube and your viewers may be in for an unpredictable time when accessing your video.

15) Social - Google runs its own social network, so forget sharing your video on Facebook or Twitter.

16) Live - it is being rolled out apparently, but you can't do live transmission on YouTube unless you're special.

17) Schedules - you can't do scheduled transmission on YouTube.

18) Flexibility - there is none, you take it or leave it. Taking it is nice and easy, just like crack cocaine. But do try and think through the consequences...

19) Identity - again, you take or leave the Google identity. All that money you invested in your brand gets sidelined.

20) Supporting Your Competitor - in many lines of business, companies have found themselves unable to do business without Google, and are consequently totally dependent on a company that is, ostensibly, their enemy. Using their services and becoming dependent on them is part of Google's business model, so be aware..

21) Blocking - you may well find your videos (at least periodically) blocked in major markets such as China, Turkey, Thailand or Pakistan: this is very unlikely to happen if you use a proper hosting provider that is not politicised in the way Google is.

22) Tools - YouTube has very basic tools for managing your video archive and your content, once uploaded is inaccessible via ftp, for example.

23) vCommerce - there are no tools for video commerce.

24) Apps - you can't power an iPhone app (apart from the YouTube app) from YouTube, nor have your icon on a Smart TV. You only live within the YouTube app on platforms that command 30% of viewing now.

25) No TV Experience - Google has always made money when people click, so don't expect them to understand the TV experience, where broadcasters and channels make more money when people DON'T click (but rather sit back and watch for hours at a time).

26) WebM - apparently, Google is going to convert all its video to its own  "proprietary, open source" format WebM and stop supporting the industry standard MPEG4/H.264 and the nascent HEVC format.

27) Privacy - YouTube is a public medium, but does offer privacy options, however these are limited.

28) Content length - Google restricts the length of video you can upload to YouTube unless you're special.

29) Encoding - with YouTube you have to upload very large files to the internet, which can be painfully slow - using a desktop app and then uploading is far, far quicker.

30) Categorisation - you're stuck with the few categories that Google apply.

31) YouTube Wants To Go Hollywood - what happens when Google decides it can make more money serving movies and TV programmes than by serving your content (just look at the tabs on the new interface).

32) It's got a really silly, amateurish name. Would you trust your books with someone called YouLedger ? Please.

I don't think we need to go on. YouTube is a very effective broadcaster. That is a particular distribution medium, like a newspaper. It is not the answer to your video strategy.

But we would say that wouldn't we!

Friday, 18 May 2012


Over the past four years we've been incredibly busy at TV Everywhere and now we're just about ready to pop our heads above the parapet. The task we set ourselves was nothing less than to invent a toolset that would power the next generation of television (or should we say video, since the boundary between them is now so blurred). And that's what we'll be releasing over the coming months.

'But what's new ?' I hear you ask. Well, there have been massive shifts in the way programming is produced and distributed, with digital asset management and distribution to mobiles now becoming as common as tapes and tellies.

The other major theme is rights (and piracy, of course).

We think that we've covered all the bases and have simplified what is a complicated industry into three processes:


The reason why this is so important is that more video than ever is being produced, and with such ready distribution, it is now a mainstream part of the marketing mix. This means that we have a bigger market than ever where the boundary between brand owner and content owner is being blurred by companies such as Red Bull.

Welcome to the brave new world of TV 3.0!

Thursday, 18 November 2010


TV Everywhere has announced an investment in KLipcorp IP Ltd, a company specialising in IP protection in the digital age.

KLipcorp assist clients such as leading sports governing bodies, cinema and TV rights owners in monitoring and policing digital piracy. The company has already worked for the Football Association, IMG and the PGA.

A combination of technical and legal techniques are used to track and remove content from illegal online distribution.

KLipcorp will join rights management software company Rights Tracker in the TVE portfolio.

"We see tremendous synergies between Klipcorp and some of the other companies in our portfolio," comments TVE CEO Iolo Jones. "In particular, Rights Tracker and KLipcorp can offer an end-to-end rights management solution to rights holders that will help them identify, exploit, protect and maximize revenue from their properties."

KLipcorp was founded by Peter Lewinton who has worked on digital rights issues with the FA Premier League, ESPN, NBA, TWI, BBC Worldwide, Eurosport, Augusta National, Fox Sports, Football League, Football Conference and PGA European Tour. He started his career at IMG after graduating in Law from Oxford University.

“IP Piracy is a major challenge for all rights owners and distributors and we help to address that problem. I am very pleased to welcome TVE as an investor.” Peter Lewinton.

About KLipcorp

KLipcorp assist clients in protecting the value of their intellectual property in an age where digital piracy is widespread and largely unchecked, causing significant damage to the revenues of media companies across all formats but in particular cinema, television, print and music.

KLipcorp are specialists in combating online piracy through a deep understanding of the distribution of content online and the legal issues surrounding copyright and trademark law in the digital space, using a combination of technical processes and calling on the skills of leading legal practitioners. The service:

  • Identifies infringement of intellectual property rights;
  • Investigates sources of infringement, identifying the pirates for the purposes of preventative action;
  • Utilises legal and technological resources to terminate ongoing infringement;
  • Offers bespoke consultations on how to prevent infringement of IP rights;
  • Secures compensation from pirates and infringing IP networks, sharing the proceeds with the rights holders thus allowing rights holders to view anti-piracy activities as a revenue rather than a cost centre.

The company’s services come in four stages:

1. Pre-notification of rights ownership to potential illegal distributors

2. Monitoring and takedown

Sites that link to streaming content (but do not host anything)

- Name of the site

- Screenshot of the site


- Contact information of the site (e-mail address, etc)

- Action taken (f.e. e-mail send, contact form used, etc)

- Response (yes / now)

- Response time

Sites that host the content

- Name of the site

- Screenshot of the site


- Contact information of the site (e-mail address, etc)

- Action taken (f.e. e-mail send, contact form used, etc)

- Response (yes / no)

- Response time

P2P linking sites

- Name of the site

- Screenshot of the site


- Contact information of the site (e-mail address, etc)

- Action taken (f.e. e-mail send, contact form used, etc)

- Response (yes / no)

- Response time

P2P data gathering

- Name of the site

- URL (where stream was found)

- Stream working (online yes / no)

- Number of IP Addresses

In a separate excel table, IP Tracking data as follows:

- IP Addresses

- ISP Name,

- Timestamp,

- infringing site where the P2P stream was found

Video recording of illegal streams

3. Stage 1 legal action

Distribution of infringement letters to:

· Hosting sites

· ISPs

· Individual Infringers

4. Further activity

Management of full blown litigation – retention of correct experts

Appointment of investigators if required